Artist: Nana Mouskouri: mp3 download
Genre(s):
Other
Classical
Miscellaneous
Vocal
Nana Mouskouri's discography:
Un Bolero Por Favor
Year: 2002
Tracks: 13
Nuestras Canciones (CD 2)
Year: 1991
Tracks: 12
Nuestras Canciones (CD 1)
Year: 1991
Tracks: 12
Ma Verite
Year: 1990
Tracks: 13
Je Chante Avec Toi Liberte
Year: 1990
Tracks: 12
Alone
Year: 1990
Tracks: 12
Classical
Year: 1989
Tracks: 18
Passport
Year: 1973
Tracks: 21
Greatest Hits Disc 1)
Year:
Tracks: 1
Greatest Hits (Disc 2)
Year:
Tracks: 1
Globally words production, Nana Mouskouri is the biggest-selling female artist of all time. Her articulateness in multiple languages -- Greek, French, English, Spanish, Italian, Portuguese -- enabled her to touch audiences all over Europe, the Americas, and fifty-fifty Asia. Possessed of a typical, angelic soprano -- the product of having been born with only peerless vocal corduroy -- Mouskouri was sometimes described as Europe's answer to Barbra Streisand. Her repertory was varied enough to accompaniment the universal appeal she aimed for: jazz standards, well-known pop tunes from sooner and afterwards the rock-and-roll eRA, French club chansons, picture songs, authoritative and operatic repertory, religious music, folks songs from her native Greece and elsewhere, and more than. Television ads for Mouskouri collections (a major North American marketing instrument) exit the impression that her honcho military capability was rendition familiar songs in that lovely representative; however, her early fame in Europe was reinforced largely on songs written for and associated with her, most notably her first stumble, "The White Rose of Athens." She was particularly successful in her eventual adopted dwelling of France, where her trademark bombastic sinister spectacles were viewed as highly unorthodox optical elan. Mouskouri recorded steadily from the sixties into the modern millennium, tailoring specific releases to specific outside markets with awful achiever.Ioana Mouskouri (Joanna in English; nicknamed "Nana" from a edward Young long time) was born October 13, 1934, on the island of Crete, in the town of Chania (or Carée in French). Her padre worked as a picture projectionist, and moved the class to Athens when she was iII. Much of her puerility was saturnine by the Nazi occupation of Greece -- during which clip her sire worked for the resistance drift -- and the four-year civil war that stone-broke taboo on the heels of World War II. She started pickings tattle lessons at historic period 12, and listened regularly to radio receiver broadcasts of American idle words singers (Wienerwurst Sinatra, Ella Fitzgerald, and Billie Holiday in especial) and French chanson stars (Edith Piaf, etc.). In 1950, Mouskouri was recognized into the Athens Conservatory, where she studied classic music with an stress on singing opera. In 1957, it was ascertained that Mouskouri had been vocalizing with a jazz chemical group by night, and she was summarily kicked knocked out of the Conservatory.Mouskouri began singing jazz in nightclubs, concentrating particularly on Ella Fitzgerald repertory. In 1958, she met the rising songwriter Manos Hadjidakis, wHO would become her mentor in the plain of democratic medicine, and recorded an EP featuring quaternion of his compositions for a small record tag that year. The following yr she performed his "Kapou Iparchi Agapi Mou" (co-written with poet Nikos Gatsos) at the inauguration Greek Song Festival; it union Korean north Korean won first trophy, and Mouskouri's high profile performance began to make a name for her. At the 1960 festival, she performed two more Hadjidakis compositions, "Timoria" and "Kiparissaki," which tied for first trophy; non long later, she made her first visual aspect outside of Greece at the Mediterranean Song Festival, held in Barcelona. She performed the Kostas Yannidis composition "Xypna Agapi Mou," which in one case more south Korean north Korean won beginning swag, and attracted interest from several external record companies. She wound up augury language with the Paris-based Philips-Fontana bloc.In 1961, Mouskouri american ginseng on the soundtrack of a German objective about Greece, which resulted in the German-language individual "Weisse Rosen aus Athen" ("The White Rose of Athens"). Adapted from a kin group melody by Manos Hadjidakis, it was an enormous pip, merchandising over a million copies in Germany; subsequently translated into various different languages, it went on to suit peerless of her signature tune tunes. In 1962, she met maker Quincy Jones, world Health Organization flew her to New York to record player record an album of American standards coroneted The Girl From Greece Sings; not long after, she had a tidy U.K. shoot with the pop standard "My Colouring Book." In 1963, she settled permanently in Paris and recorded a Greek-language album; she in any case sang Luxembourg's submission in the Eurovision Song Contest that class, "À Force de Prier," which became an international pip, and helped deliver the goods her the prestigious Grand Prix du Disque in France. She attracted the poster of composer Michel Legrand, world Health Organization supplied her with two major French hits in "Les Parapluies de Cherbourg" (1964) and "L'Enfant au Tambour" (1965). Also in 1965, she recorded her second English-language album in America, Nana Sings, and found a patron in Harry Belafonte, world Health Organization brought her on go with him through 1966, and teamed with her for the live duet record album An Evening With Belafonte/Mouskouri.Mouskouri ascended to superstardom in France with her 1967 album Le Jour Où la Colombe, which featured often of the effect of her French repertoire: "Au Coeur de Septembre," "Good day Angélina," "Gown Bleue, Robe Blanche," and a overlay of the French pop classical "Le Temps diethylstilbesterol Cerises," among others. Also marking with a version of "Guantanamera," she made her number one headlining coming into court at Paris' fabled Olympia concert theatre that year, with a repertory shading French pop, Greek folk, and Manos Hadjidakis book of Numbers racket. The following year, she turned her care to the British market, hosting a kind series called Nana and Guests; in 1969, she released her number one base uncut British LP, Over and Over, a smash blip that spent well-nigh two eld on the charts. Already maintaining a weighed down international touring docket in the late '60s, Mouskouri fatigued much of the '70s on the road, broadening her worldwide popularity to levels rarely equaled. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes, among others; she besides recorded a successful edition of "Habanera," from Bizet's opera Carmen, in bicycle-built-for-two with Serge Lama. Elsewhere, her 1975 album Sieben Schwarze Rosen was a significant success in Germany, and her English-language album Book of Songs sold millions of copies global.Mouskouri had some other English-language wallow with 1979's Roses and Sunshine, which was especially democratic in Canada. She scored a world-wide strike with 1981's "Je Chante Avec Toi, Liberté," which was translated into several languages after its widespread success in France, and as well helped boost her hit German album Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live operation in her motherland since 1962; from then on, she would record Greek-language albums for her base market. In 1986, Mouskouri recorded "Only Love," the theme straining to a BBC TV series that went on to top of the inning the U.K. charts; it was as well a run into in the French displacement "L'Amour en Héritage." That same yr, Mouskouri made a play for the Spanish-language mart with the hit single "Yard bird Todo el Alma," a major winner in Spain, PLC284% and Chile. She released basketball game team albums in different languages in 1987, and the following class returned to her authoritative conservatoire roots with the two-fold LP The Classical Nana (aka Nana Classique), which featured some of her front-runner opera excerpts.Mouskouri's 1991 English-language digest Only Love: The Best of Nana Mouskouri became her best-selling release in the United States, which had long been the toughest marketplace for her to crack. She exhausted a capital deal of the '90s chronic her tight global touring schedule, spell recording regularly in French, German, Spanish, English, and Greek. Among her early-'90s albums were the spirituals collection Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), the self-explanatory Falling in Love Again: Great Songs From the Movies (which reunited her with Harry Belafonte on two songs), and the French Dix Mille Ans Encore. She as well dedicated herself to public works, seemly a interpreter for UNICEF in 1993 and gaining election to the European Parliament as a Greek representative from 1994-1999. She recorded several more albums all over 1996-1997, including the Spanish-language Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Come back to Love, and the French pop classics place Hommages. In 1997, she staged a high profile Concert for Peace at the Cathedral of St. John the Divine in New York; it was later released as an phonograph record album, and aired as a TV special on PBS in America. Meanwhile, a figure of Mouskouri retrospectives appeared overseas, including refine box sets in both France and Germany. She continued her extended outside touring into the new millennium.
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